Hand over your raw talking-head footage. It cuts every mistake and retake, then adds the liquid-glass graphics, synced to what you say and never over your face. The edit a pro charges $300 and a few days for, handed back in about the time it takes to grab a coffee. No editor, no night at the timeline.
A 20-minute vlog costs a pro editor 10 to 20 hours at the timeline. You either pay hundreds per video or you give up your own evenings to do it. Both slow your channel down.
That saves you about 15 hours of editing on every video you make.
Before it touches a frame, an agent transcribes your video, reads every topic, and plans a graphic for each one. Then it cuts the mistakes and builds all of it, synced to your words and never over your face. Eight things it does on one pass, shown beside each.
First it transcribes the entire video and reads every topic you cover. Then it decides what visual each section needs, a list, a quote, a chart, a logo, a screen recording, and anchors each one to the exact words you say. One graphic per topic, mapped out before a single frame is rendered.
It auto-detects your retakes, false starts, and dead pauses on the timeline and removes them. Watch it scrub the strip, flag the fumbled take, and pull that clip out while the rest slide together to close the gap. Every trim lands on silence, so it never clips a word you said.
Frosted liquid glass is the default, the look Nick is known for. The carousel swipes through three real clips so you can see the range: the frosted-glass quote, the full-screen title that drops you to a corner, and the animated stat counter. Pick the one that fits your channel and it holds across the whole video.
Nothing pops up early. In this clip the list opens with just its title, then fills one line at a time, each point sliding in the exact moment he names it. No list is ever shown all at once, which is the detail that makes it read like a real edit, not a template.
When you say something worth pulling out, it builds a quote card and types the full, finished sentence onto the screen, then highlights the phrase that matters in blue. It quotes whole sentences with the period and the closing quote, never a line cut off halfway.
It pulls in your actual material. The moment Nick mentions his Cliffs of Moher photo, the real photo and its file details slide in beside him. It uses your screen recordings, scrolls your live site, and drops the real company logo when you name a company. No stock footage, ever.
For a full-screen moment, the title fills the frame and you drop into a clean rounded picture-in-picture in the corner, so nothing ever lands on your face. The background blurs, your picture-in-picture stays sharp, and the layout changes every time so no two graphics look the same.
Say a number and it builds the stat. In this clip the counter ticks up from zero to twenty-five right as he says it. Figures, multipliers, and data animate on the word, so the number on screen is moving at the exact moment it leaves your mouth.
Shoot your talking-head video in one sitting. Mess up, restart, ramble. Then give the raw file to the editor and walk away.
It removes the mistakes word-safe, then reads what you said and builds the liquid-glass titles, lists, quotes, and picture-in-picture to match, synced to your words.
Out comes the polished video, ready for subtitles and upload. A pro editor quotes days for the same job. You quote a coffee break.
Record it, hand the file over, and get the finished edit back in about 15 minutes.
It is in beta now. Get on the list and I'll email you the moment it opens up, before it goes public.